Category: Drawings

  • Ruth Bader Ginsberg

    Ruth Bader Ginsberg

    [vc_row][vc_column width=”2/3″][vc_single_image image=”21249″ img_size=”full” add_caption=”yes” alignment=”right” style=”vc_box_shadow_3d” onclick=”link_image”][vc_column_text]charcoal on paper, 22 x 30, 2020 by Chris Cart

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    “Women belong in all places where decisions are being made. It shouldn’t be that women are the exception.”

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    “I didn’t change the Constitution; the equality principle was there from the start. I just was an advocate for seeing its full realization.”

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  • George Floyd, BLM poster

    George Floyd, BLM poster

    a large 30 x 40 inch, charcoal drawing of George Floyd, 2020, used as Black Lives Matter poster and banners

  • Study for Wade in the Waters

    Study for Wade in the Waters

    pencil drawing, 2014, 12 x 18 inches

  • Mother and Child, 2021

    Mother and Child, 2021

    digital iPad drawing

  • Amaya at coffee shop

    Amaya at coffee shop

    Digital Ink Drawing
    16 x 12 inches

  • feet studies

    feet studies

    Feet, feet and more feet.  Drawing this lower extremity is fun.  Feet can be very expressive.  We are used to hand gestures in paintings but feet can be story tellers too.

    I am working on a new dance painting where both, feet and hands, are very important.  When you are eager to start a new painting it is so tempting to just jump in as the idea rushes youlike a vacation romanceWhile this can yield some clever brushwork—well, and some true disasters as well—more often it is better to rehearse the parts, to dig in and find better and better ways to paint that initial flush of an idea.

    I always figure if I have a good painting idea it is worth putting the work into the prep and refinement.  Most good ideas reward you for the efforts.

    We always envision artists working in a frenzy of inspiration—and I guess we do, sometimes—but to achieve that spontaneous, seemingly effortless beauty of brushwork on the canvas it is necessary to rehearse, study, find the right lines, colors and forms—before you just start scrubbing around on the canvas.

    (feet studies, 8×8 inches)

  • study of dancer

    study of dancer

    graphite and conte on toned paper

  • Two Dancers

    Two Dancers

    A study for a painting of 2 dancers – pencil and conte on toned paper.

  • Bath Mural Studies

    Bath Mural Studies

    [vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_column_text]Here are some of the many figure studies I did preparing for the 21 foot mural for Bath, Maine.  These are pencil, relatively small, 9 x 12 inch range.[/vc_column_text][vc_gallery type=”image_grid” images=”3330,3331,3332,3333,3334,3335,3336,3338,3339,3340,3341,3342,3343,3344,3345,3346,3347″ column_number=”4″ grayscale=”no” images_space=”gallery_with_space” title=”Bath Mural, pencil studies”][/vc_column][/vc_row]

  • dreams of flying

    dreams of flying

    Sometimes just playing with dark lines on white paper is the best.  It feels like magic when you take a blank page and with a few spare lines you tell a full story.  …and for now back to the brushes, with color and texture and shadow and ….seeya

  • journey together

    journey together

    graphite on paper

    8 x 10

  • Mother and Daughter

    Mother and Daughter

    I did this drawing back in 1993 when Jen was breastfeeding our daughter Kate.   The drawing was intended as a study for a painting but I felt this drawing said it completely and needed no more.

  • study for “Barn Dance”

    study for “Barn Dance”

    on toned paper, study for oil painting finally called, “Another Full Moon Night

  • figure study for “Ledges”

    figure study for “Ledges”

    study on toned paper, conte and pencil